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With the story relocated from Moriarty’s native Australia to Northern California, devotees may be wondering what other changes the series has up its sleeve. Factor in lush cinematography and bravura performances from the likes of Melissa McCarthy, Michael Shannon, and Manny Jacinto, and the result is a deliciously sinister slow burn you won’t be able to look away from even if you want to.įor fans of the book, though, some questions still remain. Run by a mysterious Russian mogul named Masha (Kidman), the resort seems idyllic at first glance, but over the course of their 10-day stay, the guests begin to discover that not all is as it seems.
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Kelley and Nicole Kidman’s latest high-octane miniseries follows the stories of nine, well, perfect strangers who meet at a wellness resort called Tranquillum House. Adapted from the book by Liane Moriarty (yes, the same Liane Moriarty who wrote the book Big Little Lies was based on), David E.
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It’s also the only moment when anyone acts in the name of true friendship, and behaves like an adult rather than a high school kid.If you obsessively watched Big Little Lies, have ever paid $12 for a green juice, and think spiritual crystals are complete nonsense but set out your collection to charge under the full moon anyway, Hulu’s Nine Perfect Strangers is for you. The best scene in “Perfect Strangers” speaks to this idea of the loyalty of friendship versus the neutrality of a device, when Lele covers for Peppe and allows a major (for this movie, and this group of people) revelation to fall on his shoulders. Once upon a time secrets were shared between friends, but now the cell has become the repository of our illicit behaviors, and the moment that’s exposed, all is laid bare, with no protection. The premise cleverly zeroes in on a fear few want to even contemplate: being found out. Inevitably the swap creates further problems, and as the pasta course gives way to the meat course, more and more secrets are discovered the tiramisu never even gets dished up. He convinces Peppe, who has the same phone, to switch devices so it looks like attached but unmarried Peppe is a lady’s man. More tricky is how Lele will explain the photo his mistress sends every evening at 10 p.m. Little by little though, uncomfortable truths get revealed: Eva is having her breasts done, Carlotta wants to put her mother-in-law in a retirement home.
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Cosimo gets the first message, saying “I want your body,” but it’s a joke from Rocco in the kitchen.
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No one is thrilled with the idea, but refusing would be tantamount to admitting there’s something to hide, so they agree to play.
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It’s Eva who suggests the game: all cell phones on the table, and incoming messages must be read aloud, plus calls placed on speaker. Beppe (Giuseppe Battiston) was meant to finally present his new girlfriend, but he arrives alone, claiming she’s ill. Sexual sparks aren’t an issue for Bianca (Alba Rohrwacher) and Cosimo (Edoardo Leo), relatively new at the marriage game and frequently frisky. Lele (Valerio Mastandrea) and Carlotta (Anna Foglietta) express little warmth towards each other, which may explain her drinking problem. Mother-daughter communication is not their strong suit, and besides, guests are coming. It’s also intensely wordy, neatly fitting in to the minor vogue for single location dramedies such as Polanski’s “Carnage.” “Strangers” begins in multiple settings, but the bulk of the action takes place in one apartment.Įva (Kasia Smutniak) and Rocco (Marco Giallini) are having friends over for dinner, though tension is high at home after Eva rifles through the handbag of teen daughter Sophia (Benedetta Porcaroli) and finds condoms. The helmer made his name at home with a number of good-natured if hardly deep comedies with wide cross-generational appeal thematically this, his tenth feature, appears to be a more biting commentary on contemporary society, but the script fails to go beyond the superficial. Remakes in other languages seem virtually assured. Never mind that the film itself is an unsubtle chat fest stocked with immature characters because it’s so tuned to the zeitgeist of the bourgeoisie, it’s become a major talking point in Italy, where it’s doing boffo business. Paolo Genovese’s “ Perfect Strangers” plays on this near-universal fear via a party game in which dinner guests share all incoming messages and calls in a recipe for awkward revelations. Never before have secret lives been so easy to negotiate, yet the risk of discovery, even if you’re not Jennifer Lawrence, has never been greater: It’s all there in that little device. It’s fair to say that most everyone with an active cell-phone life has used those indispensable gadgets in ways not meant for public consumption.